Even your peanut butter sandwich gets served with EDM sauce [in Europe].

What Afrojack just told me from his plane back to Holland. Full interview Wednesday; show Sunday at the Snake Pit. 

The way I explain it is this: It’s dance music, so you get people to dance. It’s made for nightclubs. Then they ask, “What instruments do you play? How does the music come about?” And I tell them, I’m conducting an orchestra when I write a song, where I’m writing all of the musical pieces for each individual instrument, and then I also get to make the sounds of each instrument. So, I’m like an orchestra conductor when I write the songs, and then I get to play them out live.

So that’s the best way to explain to people, if they don’t understand synthesizers, computers, how all that works. But you can say, think of an orchestra and think of all the different instruments and how each section has a different part, a different melody to play. [So], instead of having violins and clarinets, I make a sound that’s appropriate for what i’m looking for in that melody. I’ve used that to explain what I do to my 80-year-old grandma, and she’s kind of picked up on it. So I think, well, if I can explain it to her, I can explain it to anybody.

Topher Jones explains EDM to his 80-year-old grandma. Interview Wednesday, show Sunday in the Snake Pit. 

Music is so deeply, deeply personal, and such a huge outlet for people who feel disenfranchised and isolated. There’s a reason that kids really, really get into music when they’re 12 or 13. That’s the time when you feel most confused about so many things in your life. You’re angsty, you’re dealing with all the bullshit associated with high school and how horrible that is. You become so intensely loyal to certain types of music. That goes right to the heart of why people love bands like The Replacements, or Velvet Underground, or bands much more obscure than that. People love them because they could be their thing. And if you don’t like that, then you don’t really get it.

Japandroids’ Dave Prowse. Full interview Wednesday; show at the Vogue next Tuesday. 

When we got up on that stage and played there [in Germany with The Gaslight Anthem], it just felt way, way, way too big. I don’t like the idea of not being able to see the people at the back. I can’t see them, so how can they see me? And if they can barely see these two guys on stage, then how can that show … have the same kind of power as a show where there is a certain level of intimacy? There’s a power that comes from that.

Dave Prowse from Japandroids and I ranted on the phone to one another about the perils of popularity. Full article in NUVO on Wednesday, show at the Vogue next Tuesday. 

Hippy? Or Just Plain Awesome?

lauren-guidotti:

I want to know where my stuff is coming from. I want to know that I’m not supporting a business that I don’t agree with their practices. I also don’t want to be wasteful. I want my carbon footprint to be small and the impact to be big. I don’t want to be inadvertently injecting harsh chemicals and cancer causing toxins into my body. Based on all of those things, why in the world I feel the need to make fun of myself for them when I explain it to other people, really blows my mind. What has society done to make us feel ashamed about being informed and shopping responsibly? 

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how great it is to have reflective, interesting friends that CARE. love this piece by Lauren about living a more intentional life. 

These topics included the necessity of patriarchy: girls needing to have an entirely home-focused education, the need to defeat “feminism” in homeschooling, and the concern that “the female sin of the internet” (framed as equal to “the male sin of pornography”) was blogging. Indeed, blogging could be the kryptonite to the homeschool Superman, the patriarchal Ubermensch

There’s approximately one million compartments inside. It’s like my own personal Room of Requirement, except it’s a desk, obviously. I’ve hauled it to five separate houses and apartments now; for a while, it was the only storage I had. I can find anything in there: gold spray paint, Polaroid film, bike helmets, tacks, discarded school books, matches, lopsided bowls I made in high school ceramics class. So, not really things I need, per se. But still! It’s all there.

My first story for the Billfold about all the odds and ends that make up my apartment is live now. Thanks for reading about my junk, y’all!